This is a very personal record for me written and recorded at the beginning of a new life chapter in 2003. Each song was written, recorded and mixed in a single day. One song/one day. Very artistically therapeutic. I wrote these songs as I would a film score in the sense that each song is about a person, memory, feeling, observation etc. I played

This is a very personal record for me written and recorded at the beginning of a new life chapter in 2003. Each song was written, recorded and mixed in a single day. One song/one day. Very artistically therapeutic. I wrote these songs as I would a film score in the sense that each song is about a person, memory, feeling, observation etc. I played all the instruments (electric and acoustic guitars and mandolin). Hope you enjoy it.

A roots/rock record I made in 2006 on Shadybrook Records.. All tunes written by me with the exception of two songs with lyrics co-written by my wife Marilla Friesen Bray. Had a blast recording these tunes. Great band as well. Davide Direnzo on drums, George Koller on bass and backup vocals, Daniel Moore on acoustic and myself on electrics and

A roots/rock record I made in 2006 on Shadybrook Records.. All tunes written by me with the exception of two songs with lyrics co-written by my wife Marilla Friesen Bray. Had a blast recording these tunes. Great band as well. Davide Direnzo on drums, George Koller on bass and backup vocals, Daniel Moore on acoustic and myself on electrics and vocals.

Trio record I made featuring a more funk, fusion sound with Dale James on electric bass, Tim McIntyre on drums and myself on Electric and acoustic guitar. Here is a great review from Jazz Times:

Sean Bray: Transcendence UPDATED APRIL 26, 2019 – BY HILARIE GREY Guitarist/composer Sean Bray leads a tight trio on a note-bending, bristling musical

Trio record I made featuring a more funk, fusion sound with Dale James on electric bass, Tim McIntyre on drums and myself on Electric and acoustic guitar. Here is a great review from Jazz Times:

Sean Bray: Transcendence UPDATED APRIL 26, 2019 – BY HILARIE GREY Guitarist/composer Sean Bray leads a tight trio on a note-bending, bristling musical journey through Transcendence (Counterpoint Recordings CPR-012 52:59). The Canadian guitarist plays with a bluesy gait and wide-open rhythmic feel on tunes like “So Inclined” and the jangling, resonant “Vibe,” but hints of darkness and improvisational spirit bubbling underneath give his hooky compositions added depth. “Three Shades of Haze,” for example, draws upon Hendrix for an improvisational flight, twisting a familiar melody into distinct interpretive passages, from lightly rhythmic, to eerily hushed. “Machiavelli” finds Bray making a heavier statement, with his distorted guitar braced in the dark funk colors laid down by bassist Dale James and drummer Tim McIntyre. James and McIntyre prove much more than a rhythm section, though-their work, in pieces ranging from the softly explorative title track to the dramatic, mystical suite, “Thought I Heard the Bells,” provides consistent and expressive counterpoint to Bray’s original style of play.